Rene Magritte 瑪格利特

將其畫作『大蘋果』從畫布上超現實的比例搬移至真實空間內。於是我們將立體派與未來派的概念與馬格利特所追尋的超現實畫派風格結合,暗喻馬格利特藝術的一生。巨大的蘋果外形圍塑著客房中的浴室,床頭背牆是蘋果內部的果肉,果核為房門旁的衣帽架,牆面延伸至天花的片片摺版是水果刀削下來綿延不斷的蘋果皮。我們運用了立體派的概念將物件支離破碎的分解在同個畫面,以視覺帶來分析、組構、還原立體的本質,將未來派強調的速度與律動的意象透過不間斷的線條及形體表現出動態性,置入空間之中。

The Surrealist proportion of Rene Magritte’s painting The Big Apple is transported from the canvas to a real space. In this way, Cubism and the concept of Futurism are combined with the Surrealist style that Magritte pursues to act as a metaphor of her art life. The shape of a giant apple surrounds the bathroom in the guestroom. The wall behind the bed is the apple’s flesh, the coat rack is its pit, and the folded boards that go from the wall to the ceiling are the winding, endless peel cut off from the apple with a knife. Objects broken down into pieces are presented in the same scene by employing a Cubist concept. The essence of three dimensions are visually analyzed, organized and recovered so that the momentum of speed and rhythm emphasized by Futurism is demonstrated through continuous lines and forms.

坪數/8
個案風格/前衛風
個案屋型/飯店民宿
個案屋況/毛胚屋